Charlee Remitz

When I was considering a second album, I felt totally shackled to my first album, like I owed it to Ageless to pummel it to death on social media until it all but became unrecognizable. The great tragedy of social media is that while your efforts result in listeners, people who are hearing the work for the first time the way it’s meant to be heard—all shiny and new—you’re hearing it for the millionth time. And though some art may resist this pulverization, in general, I think it’s fair to...

As regards the era of Ageless, I feel "The Great Undoing" is less the ending of a chapter and more a dogear on one of its pages—something to circle back to. As needed. It already felt ridiculous to me to still be stuck on that relationship when I wrote “The Great Undoing”, but to be putting the song out now—seven years after the fact—well a lot of self-validation had to happen. The way life manifests in a series of movements that aren’t always strictly forward, healing is so open-ended...

I was 25 when I wrote the entirety of Ageless . It's an extremely complex and enigmatical concept, but I sometimes feel like I didn't...